Lot 0076
Unusual Russian Karelian wood and enamel box
Estimate: 1200-1500€
An unusual Russian box of Karelian birch wood, decorated with enamel. The lid set with an enamel monogram HF in Cyrillic, worked in polychrome enamels against a blue ground. The sides further enriched with geometric enamel ornament in red, white, and black. Maker’s mark of Andrei Lukich Perestronin, Vyatka, silver mounts with St. Petersburg assay marks, 1899–1908.
Weight: 80.5 g
Dimensions: 10 × 6 × 4 cm
Starting price: 1000€
Estimate: 1200-1500€
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Lot 0005
Bronze Sculpture “The Gunsmith” by Adrien Gaudez (1845–1902)
Estimate: 3000-3500€
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Bronze Sculpture “The Gunsmith” by Adrien Gaudez (1845–1902)
Estimate: 3000-3500€Adrien Gaudez (1845–1902)
L’Armurier (The Gunsmith)
France, late 19th – early 20th century
Bronze
Height: 65 cmThis striking bronze sculpture, L’Armurier (“The Gunsmith”), is a masterful example of Adrien Gaudez’s ability to infuse technical realism with expressive vitality. The figure of a craftsman at work embodies both physical strength and concentration, capturing the dignity of manual labor and the artistry of creation.
A graduate of the École des Beaux-Arts in Paris, Gaudez debuted at the Paris Salon in 1864 and continued to exhibit there throughout his career. Initially influenced by classical traditions, he later incorporated the fluid lines and naturalistic movement characteristic of late 19th-century French sculpture.
Following his imprisonment during the Franco-Prussian War (1870–1871), Gaudez produced several commemorative works, including a monument to fallen French soldiers (1892). His oeuvre encompasses portraits, allegorical figures, and monuments distinguished by meticulous modeling and emotional depth.
L’Armurier reflects Gaudez’s fascination with the nobility of craftsmanship — a recurring theme in his work — and stands as a testament to the transition from academic classicism to the more dynamic and expressive forms of the Belle Époque.
Starting price: 2500€
Estimate: 3000-3500€
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Lot 0011
Evgeny Lanceray. Peasant Woman with Cattle and Dog
Estimate: 10000-12000€
Lot 0011
Evgeny Lanceray. Peasant Woman with Cattle and Dog
Estimate: 10000-12000€Evgeny Lanceray. Peasant Woman with Cattle and Dog
Model 1873
Bronze, casting, assembly, patination
27.5 × 26 × 23.5 cm
Petersburg, late 19th – early 20th century
Signature along the base: “E. Lanceray”, cast by C. BertoThis rare bronze group, created by Evgeny Lanceray in 1873, portrays a peasant woman guiding cattle, accompanied by a dog. It combines lively movement with careful attention to costume and detail, reflecting Lanceray’s interest in everyday Russian life and ethnographic themes.
Evgeny Alexandrovich Lanceray (1848–1886)
Born in Morshansk, Tambov province, into a French family that had settled in Russia, Lanceray was the son of a railway engineer. He studied law at St. Petersburg University but received no formal artistic training, instead learning sculpture independently and working from life. He visited workshops of established sculptors, including Nikolai Liberich, and undertook study trips to Paris in 1867 and 1876, where he studied bronze casting and became acquainted with European art.Lanceray traveled widely across Russia, Ukraine, the Caucasus, the Crimea, Bashkiria, and Kyrgyz lands, and in 1883 visited Algeria. His wax models, later cast in bronze, gained great popularity. Many of his works carried strong national, historical, or ethnographic character, and he also created pieces devoted to the Russo-Turkish War of 1877–1878. In addition, he designed table services and desk sets.
In 1869 he was awarded the title of “Class Artist, 2nd degree” by the Imperial Academy of Arts, and in 1872 achieved the 1st degree. In 1874 he became an honorary free associate of the Academy, and from 1879 he was a member of the Moscow Society of Art Lovers.
A master of narrative plastic miniatures, Lanceray brought international recognition to Russian sculpture. His works were shown at the World’s Fairs in London (1872), Vienna (1873), Paris (1873), Antwerp (1885), and other cities. His bronzes were cast at all major Russian foundries and by private firms such as Chopin, Stange, Moran, and Berto, as well as at Ural ironworks. Today his works are preserved in the State Russian Museum, the Tretyakov Gallery, and other major collections. Karl Berto (Charles Auguste Bertault) Foundry. Studied under Barbedienne, Paris.
Period: 1889 – 1903.
In 1889 – 1890 the products were marked as Chopin & Berto.
Felix Chopin’s foundry has been passed over to Karl Berto in around 1890.
Starting price: 8000€
Estimate: 10000-12000€
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Lot 0017
Séraphin Soudbinine. Bust of Alexander Petrovich Izvolsky
Estimate: 12000-15000€
Lot 0017
Séraphin Soudbinine. Bust of Alexander Petrovich Izvolsky
Estimate: 12000-15000€Séraphin Soudbinine. Bust of Alexander Petrovich Izvolsky
Patinated bronze on marble base
Signed and dated on the bronze: Soudbinine 1912
Dimensions: 16 x 10.5 x 10 cm.
Comparable cast: Musée d’Orsay, Paris (inv. no. JP 143 S, Buste d’homme)This expressive bronze bust depicts Alexander Petrovich Izvolsky (1856–1919), a Russian statesman and diplomat who served as Minister of Foreign Affairs from 1906 to 1910 and later as Ambassador to France. The vigorous modeling and textured surface reflect Soudbinine’s transition from his early theatrical background to a mature sculptural language, marked by psychological depth and vitality.
Séraphin Soudbinine (born Serafim Nikolaevich Sudbinin) was born in Nizhny Novgorod, Russia, in 1867. Originally an actor at the Moscow Art Theatre, he turned to sculpture after 1904, studying in Paris with Léon Bérard, Léopold-Sinaïeff Bernstein, and Jean-Antoine Injalbert. Supported by patron Savva Morozov, he quickly gained recognition for his portrait work.
Soudbinine’s sculptures were shown in Moscow, St. Petersburg, Paris, Berlin, Venice, and New York. He created portraits of prominent figures including Maxim Gorky, Fyodor Chaliapin, and Anna Pavlova. After the Russian Revolution, he remained in Paris, later working in ceramics. His works are held in major collections such as the Musée d’Orsay (Paris), the State Russian Museum (St. Petersburg), and the Tretyakov Gallery (Moscow).
Soudbinine died in Paris in 1944.
Starting price: 10000€
Estimate: 12000-15000€
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Lot 0009
Bronze sculpture of “don César de Bazan” by Emile PICAULT (1833-1915)
Estimate: 5000-6000€
Lot 0009
Bronze sculpture of “don César de Bazan” by Emile PICAULT (1833-1915)
Estimate: 5000-6000€Émile Louis Picault (1833–1915)
Don César de Bazan
France, late 19th century
Bronze with double patina, signed “E. Picault”
Height: 86 cm.
This dynamic bronze sculpture by Émile Louis Picault portrays Don César de Bazan, the dashing nobleman and soldier from the 1872 opera Don César de Bazan by Jules Massenet, a character also found in Victor Hugo’s play Ruy Blas. Picault captures the quintessential romantic hero — bold, proud, and slightly defiant — frozen mid-gesture with sword in hand and cloak flowing in motion. The piece reflects the artist’s fascination with themes of honor, individuality, and chivalric elegance.Executed with a double patina, the sculpture demonstrates Picault’s technical virtuosity in bronze casting, contrasting warm and dark tones to emphasize both the richness of costume and the expressiveness of the figure’s face.
Émile Louis Picault, born in Paris in 1833, was among the most prolific sculptors of the 19th century, creating over 500 models throughout his long career. A frequent exhibitor at the Salon des Beaux-Arts from 1863 onward, Picault specialized in allegorical, patriotic, and mythological subjects. His works, notable for their meticulous detail and vitality, exemplify the moral and aesthetic ideals of the Belle Époque.
Starting price: 4000€
Estimate: 5000-6000€