Lot 0264
Icon of Saint Paraskeva with 18th-Century Silver Riza, Balkans, 17th–18th century
Estimate: 1200-1500€
Icon of the Holy Martyr Paraskeva with Silver Riza
Balkans, 17th–18th century
Icon: tempera on wood, 17th century
Riza: silver, repoussé and chased, 18th century
Dimensions: 32 × 27 × 4.5 cm
Riza weight: 860 g
This remarkable icon represents Saint Paraskeva (Paraskevi) of the Balkans, a revered Christian martyr known for her piety, compassion, and miracles. The saint is depicted holding a cross as a symbol of her martyrdom, flanked by two angels bearing crowns of glory.
The underlying icon, likely dating to the 17th century, retains the expressive intensity of early post-Byzantine Balkan iconography, characterized by elongated proportions, austere modeling, and a deep spiritual gravity.
The silver riza, executed in the 18th century, complements the image with richly embossed baroque ornamentation—cartouches, clouds, and acanthus motifs—framing the saint in a celestial setting.
Starting price: 1000€
Estimate: 1200-1500€
Hammer Price: €
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Lot 0262
An unique Byzantine period orthodox silver-gilt, niello and cabochones reliquary with Crucifixion
Estimate: 20000-25000€



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An unique Byzantine period orthodox silver-gilt, niello and cabochones reliquary with Crucifixion
Estimate: 20000-25000€An unique Byzantine period orthodox silver-gilt, niello and cabochones reliquary with Crucifixion.
Balkans, probably Stenimachos or Philippopolis region, Athonite workshop, 1645.
Silver, gilding, niello, semi-precious cabochons; repoussé, chasing, engraving, punching, niello inlay, stone setting.
Dimensions with suspension ring: 11.5 × 8.5 × 4 cm.
Weight: 272.8 g.
Inscriptions: Greek dedicatory inscription on the reverse, naming the Monastery of the Mother of God Petritsiotissa of Bachkovo, the True and Life-Giving Cross, the donor Hieromonk Matthaios, prohegoumenos, and the date 1645.
A rare post-Byzantine staurotheke-enkolpion, conceived both as a reliquary for a particle of the True Cross and as a pectoral devotional object. The rectangular silver-gilt case is fitted with suspension rings and a chain.
The front cover is decorated with the Crucifixion. Christ is shown on the Cross beneath the titulus with the abbreviated inscription “ΙΝΒΙ”, Jesus of Nazareth, King of the Jews. He is flanked by the Virgin Mary and Saint John, both rendered in engraved and chased linear modelling. The gilded ground is densely punched and enriched with multicoloured cabochons, including green, purple, blue and red stones, probably peridot, amethyst, turquoise or aquamarine, and garnet.
The reverse is ornamented with nielloed foliate scrolls and a central rectangular panel. Around it runs the Greek donor’s inscription, which may be translated as: “Reliquary of the True and Life-Giving Cross of the Monastery of the Mother of God Petritsiotissa of Bachkovo, made at the expense of Prohegoumenos Hieromonk Matthaios, 1645.” In the centre is a stylised flowering branch, a motif connected with the Tree of Life and widely used in post-Byzantine and Balkan ornamental art of the seventeenth century.
The side panels are decorated with alternating bands of floral scrollwork, niello ornament and geometric borders.
The object belongs to the artistic milieu of the Bachkovo Monastery, one of the most important Orthodox centres in the Balkans, founded in the eleventh century and closely connected with Georgian, Byzantine and later post-Byzantine traditions. Reliquary was probably made in a regional goldsmith’s workshop, possibly in Stenimachos or Philippopolis, or in an Athonite workshop. The surviving chain indicates that it was worn on the breast as an enkolpion, serving both a devotional and protective function.Starting price: 15000€
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Lot 0263
Russian Icon of Saint Seraphim of Sarov with Silver Oklad and Enamel, Ivan A. Alexeev, Moscow, 1899–1908
Estimate: 8000-12000€




Lot 0263
Russian Icon of Saint Seraphim of Sarov with Silver Oklad and Enamel, Ivan A. Alexeev, Moscow, 1899–1908
Estimate: 8000-12000€Russin Icon of Saint Seraphim of Sarov
Moscow, Ivan Alexeevich Alexeev, 1899-1908.
Tempera on wood, silver oklad, enamel.
Marked: maker’s mark of IAA; 84 zolotnik silver standard, Moscow assay mark. Dimensions: 22,7 x 18 x 3,3 cm.
A refined icon in pseudo-russian style depicting Saint Seraphim of Sarov, shown half-length in monastic habit and epitrachelion, with his right hand placed upon his chest in a gesture of prayerful humility. The saint’s ascetic face, softly modelled and framed by a long pale beard, is set within an elaborate silver oklad, while the halo is enriched with polychrome enamel ornament of stylised foliate scrolls in blue, white, red, and pale green. At the lower border – plaque with the saint’s name in blue cloisonne enamel.
The icon was produced in the workshop of Ivan Alexeevich Alexeev, a Moscow silversmith and owner of a factory founded in 1876, known for silver icons, folding shrines, and other devotional objects in 84 standard silver. Alexeev’s works, marked “И.А.” or “И.А.А.”, are valued for the quality of their execution and for their characteristic combination of silver mounting and enamel decoration.
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Lot 0265
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Estimate: 150-200€

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Small cast bronze three-panel travel icon. The central panel depicts St. Nicholas of Mozhaisk, holding a sword and a church or fortified city — a traditional image of the saint as a heavenly protector.
Bronze travel icons of this type were used in Russia for private prayer and travel, especially among Old Believer communities.
Closed: 6.6 × 5.5 cm.
Opened: 6.6 × 9.6 cm.Starting price: 100€
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Lot 0266
Russian Icon of “The Mother of God of Korsun”
Estimate: 3000-3500€








Lot 0266
Russian Icon of “The Mother of God of Korsun”
Estimate: 3000-3500€Icon “The Mother of God of Korsun”
Vladimir, 1857
Icon: wood, tempera, gold leaf
Riza: silver 84, chasing, engraving, gilding, niello, enamel, colored stones or glass
Master: F. Che
Dimensions: 33 × 27.5 × 5 cm
Riza weight: 558.5 gAn baroque-style 19th-century Russian icon of The Mother of God of Korsun, covered with a finely worked silver riza richly decorated with chasing, gilded details, and inset colored stones. The engraved inscription identifies the icon as “Korsun Mother of God, 1857.”
According to ancient tradition, the original Korsun icon was painted by St. Luke the Evangelist and brought from Ephesus to Kiev by Prince Vladimir after his baptism in 988. The image later resided in Novgorod and then in Moscow’s Dormition Cathedral, where it became one of Russia’s most revered relics.
Another legend connects the icon with St. Euphrosyne of Polotsk, who received it as a gift from the Byzantine Emperor and Patriarch in the 12th century. It was later brought to Toropets by Princess Paraskeva, wife of St. Alexander Nevsky, and became famous for its miracles and protection of the city.
Icons of the Korsun type belong to the “Tenderness” (Umilenie) family, symbolizing the deep spiritual and human bond between the Virgin and the Christ Child.
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