Lot 0246
Victor Tissot, La Russie et les Russes, Paris, 1884, Illustrated Edition in Original Cloth Binding
Estimate: 300-350€
Victor Tissot, La Russie et les Russes. Kiev et Moscou. Impressions de voyage. Paris: Librairie Plon, 1884. Richly illustrated edition with more than 240 gravures, in the original publisher’s decorative red cloth binding with gilt and polychrome cover design depicting Saint Basil’s Cathedral, and imperial double-headed eagle on the rear cover.
A striking late 19th-century travel book on Russia, retaining its highly decorative original binding.
Dimensions: 28.3 × 21 × 4 cm
Starting price: 250€
Estimate: 300-350€
Hammer Price: €
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Lot 0247
Karl Gahn. Gold Pendant with Official Archival Sketch
Estimate: 700-900€




Lot 0247
Karl Gahn. Gold Pendant with Official Archival Sketch
Estimate: 700-900€Karl Gahn. Gold Pendant with official archival sketch.
Firm of Carl Gahn
St. Petersburg, late 19th – early 20th century
Gold, rubies, emerald, pearl; engraved and polished
Dimensions: 4.3 x 2.3 x 0.5 cm.
Total weight: 3.1 gThis delicate Art Nouveau pendant combines gold with colored gemstones — rubies, an emerald, and a small pearl. The stylized floral motif and graceful symmetry reflect the refined taste and craftsmanship characteristic of Carl Gahn’s workshop.
Carl August Ferdinand Gahn (1836–1899) was an Austrian-born goldsmith and jeweler who founded the firm K. Gahn in St. Petersburg in 1873. His shop on Nevsky Prospect quickly gained recognition for the sophistication and technical precision of its designs. In 1895, Gahn was appointed Jeweler to the Imperial Court, creating pieces for the Russian royal family and aristocracy. His firm was considered one of the leading jewelry houses of the Empire, standing alongside Fabergé in artistry and reputation.Starting price: 600€
Estimate: 700-900€
Hammer Price: € -

Lot 0245
Very Rare Fabergé Medallion with a Minerva Cameo on a Stand in the Shape of an Easel by Henrik Wigström
Estimate: 35000-45000€






Lot 0245
Very Rare Fabergé Medallion with a Minerva Cameo on a Stand in the Shape of an Easel by Henrik Wigström
Estimate: 35000-45000€A rare Fabergé Medallion with Minerva Cameo on Easel Stand . Workmaster Henrik Wigström, St. Petersburg, 1908–1917 . Silver, gilt, guilloché enamel, carved cameo. Easel dimensions: 18.5 × 8 cm; medallion: 8.6 × 6 cm
A highly rare Fabergé creation, this object unites a finely carved cameo of Minerva, goddess of wisdom and war, with an elegant silver-gilt easel mount enriched with translucent guilloché enamel. Designed by the firm’s chief workmaster Henrik Wigström, the piece exemplifies Fabergé’s ability to combine classical imagery with refined decorative settings. Comparable examples are known only from the most distinguished collections, including a related work sold at Christie’s (A Selection of Fabergé Masterpieces from the Harry Woolf Collection, 9 November 2021, lot 32 SOLD GBP 137,500). Henrik Wigström is regarded as one of the most important workmasters of the House of Fabergé, alongside his predecessor Michael Perkhin. Born in Finland, Wigström began his training as an apprentice to the local jeweler and goldsmith Peter Madsen. Through Madsen’s professional connections in Russia, he moved to St. Petersburg in 1886, where he joined the Fabergé workshops as an assistant to Perkhin, the firm’s leading workmaster at the time. Following Perkhin’s death in 1903, Wigström succeeded him as head workmaster.Under his supervision, Fabergé’s workshops produced some of their most sophisticated creations in the Louis XVI and Neoclassical styles. He was highly prolific: approximately half of the Imperial Easter Eggs, as well as the majority of miniature hardstone animals, flowers, boxes, and cigarette cases made between 1904 and 1917, bear his mark “H.W.”
Wigström was also responsible for a remarkable series of objets de fantaisie, including miniature furniture inspired by 18th-century European decorative arts. These delicate, doll-like creations—crafted in gold and enamel—blur the line between functional objects and pure ornament.
One notable example is the bonbonnière in the form of an Empire-style gondola chair, produced around 1911–1912 and now in the Fabergé Museum Collection.
Starting price: 30000€
Estimate: 35000-45000€
Hammer Price: € -

Lot 0248
Karl Gahn. Gold Pendant with Official Archival Sketch
Estimate: 700-900€





Lot 0248
Karl Gahn. Gold Pendant with Official Archival Sketch
Estimate: 700-900€Karl Gahn. Gold Pendant with official archival sketch.
Makers mark of “CG”
St. Petersburg, late 19th – early 20th century
Gold, ruby; chaised and polished
Dimensions: 3.9 x 2.3 x 0.2 cm.
Total weight: 5.9 gThis Art Nouveau–style pendant, executed in gold with a central ruby, reflects the elegant plasticity and organic motifs characteristic of the period. The stylized floral form and soft contours embody the harmony of line and material that defined Carl Gahn’s work.
Carl August Ferdinand Gahn (Karl Gahn) was a renowned St. Petersburg jeweler and goldsmith. Born as Austrian, he became a Russian citizen in 1892. In 1873, he founded the jewelry firm K. Gahn, which soon gained prominence for its finely crafted gold and silver objects—cups, cigarette cases, and tableware—often enriched with enamel and gemstones.
Gahn’s artistry and precision earned him recognition at the Imperial Court, where his firm became an official supplier in 1895. His creations combined technical mastery with refined aesthetics, placing his workshop among the foremost jewelers of the Russian Empire, alongside Fabergé.
Starting price: 600€
Estimate: 700-900€
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Lot 0244
Imperial Stroganov School. Silver and Enamel Plaque with Erotic Map of Moscow
Estimate: 18000-25000€


Lot 0244
Imperial Stroganov School. Silver and Enamel Plaque with Erotic Map of Moscow
Estimate: 18000-25000€Imperial Stroganov School. Silver and Enamel Plaque with Erotic Map of Moscow in original case. Silver, en-plein enamel.
Makers mark of «ISU» with Imperial warrant. Moscow, 1908-1917. Dimensions of the box: 18.2 х 11.3 х 2.5 cm. Dimensions of the palque: 16.4 х 8.2 cm.
This rare enamel plaque combines technical mastery with biting satire and playful eroticism. It presents a female nude figure whose body is inscribed with the names of Moscow districts, transformed into risqué metaphors and humorous associations. At the top, the inscription records a “plan of the city of Moscow, survey of January 27 to 12 o’clock at night, 1899,” underlining the parody of cartographic precision.
In 1900, on its 75th anniversary, the School was granted the title Imperial Stroganov Central School of Industrial Art. By this time it operated eighteen workshops, including those for metalwork, enameling, jewelry, and casting, where students combined theoretical study with practical training. Guided by renowned masters, students produced works of remarkable quality, marked with the School’s special hallmark with Imperial warrant. These objects were presented as gifts, exhibited internationally, and sold through the School’s shop. Today, they are rare treasures, reflecting the peak of the national-romantic style in Russian decorative art.
Similar: https://www.christies.com/en/lot/lot-6078035Starting price: 15000€
Estimate: 18000-25000€
Hammer Price: €










