Lot 0240
Extremely Rare Estonian Naval Officer’s Sword, 1920–1930s
Estimate: 7000-8000€
Extremely Rare Estonian Naval Officer’s Sword, 1920–1930s
A very rare and historically significant Estonian Naval Officer’s sword from the interwar period (1920–1930s), produced by Carl Eickhorn, Solingen, on special order.
The bright steel blade is beautifully etched with the image of Toompea Castle and the Three Lions of Estonia, national symbols representing the Estonian state. Dimensions:
Total length: 99.5 cm
Blade length: 83.7 cm
Blade width: 2.2 cm
Remarks:
A museum-quality and extremely rare example of a specially commissioned Estonian Naval Officer’s sword, decorated with national emblems and produced by the renowned German firm Carl Eickhorn, Solingen. Such swords were made in very limited numbers for Estonian naval officers during the interwar period, and are now among the most sought-after pieces of Baltic military heritage.
Starting price: 5000€
Estimate: 7000-8000€
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Lot 0012
Le Devoir’ by Emile Louis Picault (1833-1915)
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Estimate: 5000-6000€Émile Louis Picault (1833–1915)
Le Devoir (Duty)
France, late 19th century
Patinated bronze, signed “E. Picault” on base, with stamp “Réduction Mécanique A. Collas”
Height: 77 cm
This finely cast bronze by Émile Louis Picault represents Le Devoir — “Duty” — a classical warrior symbolizing civic virtue, courage, and moral steadfastness. The figure stands poised, holding a sword, embodying the ideals of honor and devotion to one’s homeland. The work’s dynamic realism and noble restraint exemplify the heroic allegorical style that made Picault one of the most admired sculptors of the French Third Republic.Cast with Picault’s characteristic attention to anatomy and drapery, the sculpture bears the mechanical reduction stamp of A. Collas, referring to Achille Collas’s innovative 19th-century process for creating precise scaled reductions of large bronzes.
Émile Louis Picault trained under the Dutch sculptor Louis Royer and exhibited extensively at the Paris Salon between 1863 and 1909. His works often depicted allegorical, patriotic, and mythological subjects — celebrating labor, honor, knowledge, and heroism.
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Lot 0001
Evgeny Lanceray. A Bronze and marble composition “Young shepherd”
Estimate: 400-600€




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Evgeny Lanceray. A Bronze and marble composition “Young shepherd”
Estimate: 400-600€Evgeny Lanceray. Young Shepherd
Bronze and marble, 7.5 × 16 × 12 cmRussia, late 19th century
This small bronze composition depicts a shepherd boy lying on the ground, resting his head in his hands in a relaxed, contemplative pose. The figure is mounted on a polished marble base.
Evgeny Lanceray (1848–1886), one of the most prominent Russian sculptors of the 19th century, was celebrated for his finely detailed genre scenes and portrayals of everyday rural life.
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Lot 0019
A Russian wood composition ” Cossack on a horse”
Estimate: 500-600€






Lot 0019
A Russian wood composition ” Cossack on a horse”
Estimate: 500-600€Cossack on Horseback
Russia (Danzig [Gdańsk], then part of the Russian Empire), late 19th century
Wood, metal
Dimensions: 21.5 × 16 × 7 cm
Inscribed: “А. Ханыковъ. Данцигъ”A finely carved wooden composition depicting a Cossack horseman, holding a lance and seated on a spirited mount. The sculpture bears a dedication to Alexander Vladimirovich Khanykov (1825–1853) — a noted Russian revolutionary and member of the Petrashevsky Circle, an intellectual and reformist movement in mid-19th century St. Petersburg.
Khanykov, a volunteer student at the St. Petersburg University, was an active participant in the philosophical and political circles of Mikhail Petrashevsky and Nikolai Kashkin. A passionate advocate of Charles Fourier’s socialist ideas, Khanykov delivered a public speech in memory of Fourier on April 7, 1849. That same year, he was arrested in connection with the Petrashevsky case, sentenced to death (later commuted to exile as a private in the Orenburg line battalions).
In exile, Khanykov initiated a secret Russo–Polish–Ukrainian circle, which likely included the poet Taras Shevchenko, also serving in Orenburg. Members of the group held political discussions, wrote satirical pamphlets against the imperial government, and circulated banned literature on economics, geography, and history. Khanykov also compiled a clandestine manuscript on world history praising popular sovereignty and the ideals of the French Revolution of 1789 and 1848, expressing sympathy for Christian socialism.
This wooden sculpture — created in Danzig (now Gdańsk) — appears to be a commemorative or symbolic representation of Khanykov’s revolutionary courage and his association with the frontier and Cossack imagery.
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Lot 0022
Alfred Caravanniez. French Patinated Bronze Sculpture “Bayard”
Estimate: 5000-6000€



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Estimate: 5000-6000€Alfred Caravanniez (1855–1917)
“Bayard”
France, late 19th century
Patinated bronze, cast by Barbedienne Foundry
Signed and stamped.
Height: 42 cmThis finely cast bronze depicts Pierre Terrail, seigneur de Bayard (1473–1524) — the legendary French knight celebrated as “le chevalier sans peur et sans reproche” (“the knight without fear and beyond reproach”). The sculpture presents Bayard in full Renaissance armor, standing proudly with folded arms and sword at his side, embodying ideals of honor, loyalty, and martial virtue.
Created by Alfred Caravanniez, a French sculptor trained under Aimé Millet at the École des Arts Décoratifs in Paris, the work exemplifies the historical realism and patriotic romanticism characteristic of late 19th-century French bronze statuary. Cast by the renowned Barbedienne Foundry, it reflects the superior quality and finish that made the firm one of the most respected bronze ateliers of its time.
Caravanniez’s public works include monuments and statues in Saint-Malo, Nantes, Cholet, and Sainte-Anne-d’Auray, most notably the monumental statue of corsair Robert Surcouf (1903) in Saint-Malo, also executed in bronze by Barbedienne.
Starting price: 4000€
Estimate: 5000-6000€






















