Lot 0180
Russian Icon Depicting the Holy Martyrs Simon Gurias and Aviv
Estimate: 300-400€
Icon of the Holy Martyrs Gurias, Samonas, and Aviv
Russia, second half of the 19th century
Tempera on wood
Dimensions: 18 × 14.8 × 2 cm.
A finely painted Russian icon depicting the Holy Martyrs Gurias, Samonas, and Aviv, known as early Christian saints and patrons of faithful marriage. At the top, Christ Emmanuel appears in blessing, emphasizing the heavenly approval of the martyrs’ steadfast faith. Executed in the precise and elegant style typical of Russian provincial iconography of the late 19th century.
Starting price: 250€
Estimate: 300-400€
Hammer Price: UNSOLD€
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Lot 0182
Russian Icon “John The Evangelist”
Estimate: 3000-3500€





Lot 0182
Russian Icon “John The Evangelist”
Estimate: 3000-3500€Icon “John the Evangelist”
Yaroslavl, late 18th century
Tempera on wood, gesso, gold leaf and melted gold
Riza: silver (84 zolotniks), gilding, chasing
Moscow, 1814, maker’s mark AG
Dimensions: 33 × 28 × 4.5 cm
Riza weight: 349.5 gThis refined icon depicts Saint John the Evangelist, portrayed in deep reflection as he writes the Gospel under the guidance of an angel. The composition is filled with warmth and psychological depth, characteristic of the Yaroslavl School of the 18th century — one of the most expressive traditions of Russian icon painting.
The Yaroslavl school emerged in the 16th–17th centuries during a period of artistic flourishing. Many of its painters came from artisan backgrounds, which shaped their unique visual language: soft color transitions, emotional faces, and lively gestures. Unlike the austere icons of earlier centuries, Yaroslavl works combined devotion with a deeply human sensibility.
By the 17th century, Yaroslavl had become a major center of iconography. Its artists contributed to the decoration of key cathedrals, including the Assumption Cathedral of the Moscow Kremlin and the Church of Elijah the Prophet in Yaroslavl. Despite the growing influence of Western art, Yaroslavl icon painters preserved traditional techniques and aesthetics well into the 19th century.
The silver-gilt riza in classicism style, crafted in Moscow in 1814, enhances the sacred image with delicate gilding and chased ornamentation, highlighting the saint’s spiritual authority and contemplative grace.
Starting price: 2500€
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Lot 0178
Russian Icon of “The Mother of God of Korsun”
Estimate: 3000-3500€








Lot 0178
Russian Icon of “The Mother of God of Korsun”
Estimate: 3000-3500€Icon “The Mother of God of Korsun”
Vladimir, 1857
Icon: wood, tempera, gold leaf
Riza: silver 84, chasing, engraving, gilding, niello, enamel, colored stones or glass
Master: F. Che
Dimensions: 33 × 27.5 × 5 cm
Riza weight: 558.5 gAn baroque-style 19th-century Russian icon of The Mother of God of Korsun, covered with a finely worked silver riza richly decorated with chasing, gilded details, and inset colored stones. The engraved inscription identifies the icon as “Korsun Mother of God, 1857.”
According to ancient tradition, the original Korsun icon was painted by St. Luke the Evangelist and brought from Ephesus to Kiev by Prince Vladimir after his baptism in 988. The image later resided in Novgorod and then in Moscow’s Dormition Cathedral, where it became one of Russia’s most revered relics.
Another legend connects the icon with St. Euphrosyne of Polotsk, who received it as a gift from the Byzantine Emperor and Patriarch in the 12th century. It was later brought to Toropets by Princess Paraskeva, wife of St. Alexander Nevsky, and became famous for its miracles and protection of the city.
Icons of the Korsun type belong to the “Tenderness” (Umilenie) family, symbolizing the deep spiritual and human bond between the Virgin and the Christ Child.
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Lot 0179
Ovchinnikov. Exceptopnal Icon of Saint Martyr Panteleimon
Estimate: 10000-15000€



Lot 0179
Ovchinnikov. Exceptopnal Icon of Saint Martyr Panteleimon
Estimate: 10000-15000€Ovchinnikov. Icon of Saint Martyr Panteleimon.
Silver, gold, filigree, gliding, cloisonné enamel, oil painting on wood.
Makers mark of «P. Ovchinnikov» with Imperial warrant. Moscow, 1896.Dimensions: 10.3 x 9 x 2.2 cm.
Total weight: 290.2 g
Icon of Saint Panteleimon in a silver-gilt oklad by the Ovchinnikov firm. The central is painted in oil on wood; the saint’s nimbus and garments are overlaid and made with 24k gold. The cover is decorated with cloisonné enamel in blue, white, and red, arranged in geometric and floral patterns referring to traditional Russian wooden architecture.
Saint Panteleimon, patron of physicians, was a popular subject in 19th-century Russia. The Ovchinnikov workshop, Imperial Court supplier, was renowned for enamel and silverwork of the highest quality, celebrated at international exhibitions.
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https://www.sothebys.com/en/auctions/ecatalogue/2011/russian-works-of-art-faberg-and-icons-l11113/lot.634.html
https://www.christies.com/en/lot/lot-5091302Starting price: 8000€
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Lot 0181
Sazikov. Icon “Saint Martyr Sophia” in Silver-Gild and Champleve Enamel Oklad
Estimate: 5000-6000€


Lot 0181
Sazikov. Icon “Saint Martyr Sophia” in Silver-Gild and Champleve Enamel Oklad
Estimate: 5000-6000€Sazikov. Icon “Saint Martyr Sophia”
Tempera on zinc, silver-gilt oklad with cloisonné enamel and semi-precious stones
Makers mark: “Sazikov”with Imperial warrant. Moscow, 1858
Dimensions: 19.5 x 15 x 2.5 cm.
A rare Russian icon depicting Saint Martyr Sophia, shown in prayer against a mountainous landscape with ancient Rome city in the background. The figure is framed by a richly shaped silver-gilt oklad adorned with blue champlevé enamel, cabochon stones, and delicate ornamental engraving.The icon was made by the renowned Sazikov workshop, founded in 1793 by Pavel Fyodorovich Sazikov. By the mid-19th century, under Ignaty Pavlovich Sazikov, the firm had become one of Russia’s most important silversmiths and was granted the title of Court Jeweler.
The Sazikov factory was celebrated for its superb craftsmanship in church silver—icon oklads, chalices, and liturgical vessels—and for introducing advanced casting and chasing techniques inspired by European innovations. Its works adorned major cathedrals, including St. Isaac’s Cathedral in St. Petersburg.
Starting price: 4000€
Estimate: 5000-6000€
Hammer Price: 7000€










