Lot 0104
Bragin. Covered Jar in the Form of Ushat
Estimate: 4500-6000€
Bragin. Covered jar in the form of ushat.
Silver, casting, chasing, gilding, copper-ruby glass.
Makers mark of «A.B. Bragin». Petersburg, 1892.
This leaded casket combines deep red copper-ruby glass with finely crafted silver mounts. The lid is topped with a cast silver cauliflower and leaves, serving as both handle and decoration. The transparent red glass body highly like produced by Imperial glass manufactory, shaped in the form of a traditional Russian ushat (water pail).
Andrei Stepanovich Bragin (active late 19th – early 20th century)
A respected St. Petersburg silversmith, Bragin opened his workshop in 1888, producing high-quality silver tableware, flatware, and decorative objects. His pieces, often in the Modern style with Pan-Slavic and natural motifs, gained particular fame for enamelled tea sets inspired by Russian folk embroidery. Though smaller than Fabergé’s firm, Bragin’s workshop earned wide recognition, exhibiting in St. Petersburg and Brussels, and his works are now preserved in major museums and collections. Dimensions: 16.5 x 14.5 x 14.5 cm. Total weight of the lid: 430 g.
Starting price: 3500€
Estimate: 4500-6000€
Hammer Price: UNSOLD€
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Lot 0105
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Estimate: 5000-7000€
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Usolye (then known as Solvychegodsk) emerged as one of the principal centers of Russian enamel art in the sixteenth and seventeenth centuries, founded under the patronage of the Stroganov merchant family. The early workshops, originally staffed by Novgorod craftsmen, developed a distinct regional style distinguished by vivid color palettes and expressive linework.
By the mid-seventeenth century, Usolye enamellers mastered painted enamel on copper, depicting large-scale floral and zoomorphic compositions—tulips, sunflowers, birds, and animals—set against white enamel grounds and separated by twisted filigree borders. These works were prized for their decorative richness and often adorned festive cups, caskets, mirrors, and domestic vessels.
Comparable enamelled wares from Usolye are preserved in the collections of the State Historical Museum, Moscow, and the Armoury Chamber of the Moscow Kremlin.
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Lot 0106
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Estimate: 8000-12000€
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Estimate: 8000-12000€A Russian Enamelled Copper Bowl
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Lot 0102
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Workmaster Mikhail Perchin (1860–1903), Fabergé.
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Scratched inventory number: 937
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By 1888, with Carl Fabergé’s support, Perchin opened his own workshop, which employed up to sixty craftsmen. From his workshop came the most celebrated Imperial Easter Eggs—twenty-eight of the fifty commissioned by Emperors Alexander III and Nicholas II—including the Rosebud (1895), Coronation (1897), Lilies of the Valley (1898), and Cockerel (1900) eggs.
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Perchin’s career was tragically short—he died in 1903 at the age of forty-three—but his artistic legacy shaped Fabergé’s aesthetic identity. After his death, his pupil and close friend Henrik Wigström (1862–1923) took over his workshop, continuing its exceptional output for the Imperial Court.
Comparable Works:
A closely related Fabergé desk clock by Mikhail Perchin, in pale blue guilloché enamel with laurel swags, was sold at Christie’s, The Private Collection of Joan Rivers, New York, 22 October 2016, lot 45.Starting price: 40000€
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Lot 0103
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Estimate: 3500-4500€
Lot 0103
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Makers mark of «ISU» with Imperial warrant. Moscow, circa 1900s.
Diameter: 11 cm.
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The Imperial Stroganov School, founded in Moscow in 1825 by Count Sergey Grigorievich Stroganov (1794–1882), had become by the end of the 19th century one of Russia’s leading centers of art and design education. The School maintained 29 specialized workshops, equipped with the most advanced technology of the time. Works by its students and masters were exhibited at both national and international exhibitions, sold through the School’s own shop, and enjoyed wide popularity.Starting price: 2500€
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