Lot 0100
Russian Silver and Guilloché Enamel Snuff Box by Henrik Wigström
Estimate: 150-200€
A Russian Silver and Guilloché Enamel Snuff Box/Pendant
Workmaster Henrik Wigström (1862–1923), for the House of Fabergé
St. Petersburg, 1908–1917
Dimensions: 4.0 × 1.1 cm Weight: 26.5 g
Of circular form, enameled in translucent sky blue over guilloché ground, the hinged lid and border finely detailed with engraved ornament. The refined execution exemplify Wigström’s workshop under the House of Fabergé during the firm’s final Imperial years.
Henrik Wigström, one of Fabergé’s most celebrated workmasters and successor to Michael Perchin, was responsible for many of the firm’s finest late creations — including Imperial Easter eggs, miniature objets de fantaisie, and elegantly enameled boxes such as the present example.
Starting price: 100€
Estimate: 150-200€
Hammer Price: 100€
Related Lots
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Lot 0098
Imperial Stroganov school. Rare Silver-Gilt Pendant with Romanov’s Double Headed Eagle
Estimate: 1200-1500€
Lot 0098
Imperial Stroganov school. Rare Silver-Gilt Pendant with Romanov’s Double Headed Eagle
Estimate: 1200-1500€Imperial Stroganov school. Pendant with Double-Headed Eagle.
Silver-gilt, engraving, champleve enamel.
Makers mark og «ISU». Moscow, circa 1913.This rare commemorative pendant was created in honor of the 300th anniversary of the Romanov dynasty. The central medallion depicts a double-headed eagle, the emblem of the Russian Empire, highlighted with black champleve enamel and framed by stylized ornament. Produced by the renowned Imperial Stroganov School in Moscow
The Imperial Stroganov School played an active role in the celebrations of the Romanov Tercentenary. In May 1913, an exhibition of the School’s works was held at the Kremlin Armoury in Moscow, attended by the Imperial family. It is probable that objects comparable to the present piece were included in this exhibition.
The final All-Russian Exhibition took place in Kiev in 1913 and was dedicated to the 300th anniversary of the Romanov dynasty. The works of the Imperial Stroganov Central School of Industrial Art were exhibited “out of competition” in a dedicated pavilion and reflected both the Russian Revival and Art Nouveau styles.
Dimensions: 3 х 2.7 х 0.8 cm. Total weight: 13.5 gStarting price: 1000€
Estimate: 1200-1500€
Hammer Price: UNSOLD€ -
Lot 0099
Russian Silver-Gilt Snuff Box with Guilloché Enamel
Estimate: 200-350€
Lot 0099
Russian Silver-Gilt Snuff Box with Guilloché Enamel
Estimate: 200-350€A Russian Silver-Gilt and Guilloche Enamel Snuff Box
Odessa, 1908-1917
Dimensions: 4.6 x 1.2 cm
Weight: 30 gCircular in form, the lid of the box is beautifully decorated with translucent pale blue guilloche enamel over an engine-turned sunburst pattern radiating from the center. The subtle tonality and precise craftsmanship exemplify the refined enamel work produced in Russia during the late Imperial period.
Guilloche enamel – a decorative technique perfected by the leading workshops of Faberge and his contemporaries – was widely admired for its ability to catch and reflect light through layers of translucent enamel applied over finely engraved metal.
Starting price: 150€
Estimate: 200-350€
Hammer Price: UNSOLD€ -
Lot 0101
Imperial Stroganov School. Bonbonnière with a Deer
Estimate: 3500-4000€
Lot 0101
Imperial Stroganov School. Bonbonnière with a Deer
Estimate: 3500-4000€Imperial Stroganov school. Bonbonnière with a deer.
Metal, chasing, opaque champleve enamel.
Makers mark of «ISU» with Imperial warrant. Moscow, circa 1900.
Weight: 70.5 cm.
Diameter: 6.8 cm.
Height: 3.5 cm.A circular silver bonbonnière with a hinged cover decorated in polychrome enamel. The lid shows a stylized deer within a geometric border of grapes and foliage, rendered in a manner that reflects the Stroganov School’s search for a distinctly national style. The design draws inspiration from ancient Russian and folk art motifs, reinterpreted through art-nouveau style opaque enamel techniques.
In 1900, on its 75th anniversary, the School was granted the title Imperial Stroganov Central School of Industrial Art. By this time it operated eighteen workshops, including those for metalwork, enameling, jewelry, and casting, where students combined theoretical study with practical training.
Guided by renowned masters, students produced works of remarkable quality, marked with the School’s special hallmark with Imperial warrant. These objects were presented as gifts, exhibited internationally, and sold through the School’s shop. Today, they are rare treasures, reflecting the peak of the national-romantic style in Russian decorative art.Starting price: 3000€
Estimate: 3500-4000€
Hammer Price: 3000€ -
Lot 0102
Extremely Rare Faberge Desk Clock in the Original Case by Mikhail Perchin
Estimate: 45000-65000€
Lot 0102
Extremely Rare Faberge Desk Clock in the Original Case by Mikhail Perchin
Estimate: 45000-65000€An Extremely Rare Fabergé Desk Clock in the Original Case
Workmaster Mikhail Perchin (1860–1903), Fabergé.
Petersburg, late 19th century
Scratched inventory number: 937
Dimensions: 10.2 × 10.4 cmOf shaped rectangular form, enamelled in translucent pale blue over an engine-turned guilloché ground, within a finely chased acanthus border, the corners decorated with gilt triangular rosettes and suspended laurel swags. The circular white enamel dial with Arabic numerals and pierced blued-steel hands is surrounded by a reeded gold bezel. Contained in its original fitted Fabergé case stamped with the Imperial warrant and K. Fabergé, St. Petersburg.
Mikhail Perchin (1860–1903) was one of the most important goldsmiths of the House of Fabergé. Born in the Olonets province of Russia, he moved to St. Petersburg at seventeen, apprenticed with the jeweler Vladimir Finikov of the Bolin firm, and became a certified master goldsmith in 1884.
By 1888, with Carl Fabergé’s support, Perchin opened his own workshop, which employed up to sixty craftsmen. From his workshop came the most celebrated Imperial Easter Eggs—twenty-eight of the fifty commissioned by Emperors Alexander III and Nicholas II—including the Rosebud (1895), Coronation (1897), Lilies of the Valley (1898), and Cockerel (1900) eggs.
Beyond the Imperial commissions, Perchin’s studio produced exquisite presentation gifts, frames, clocks, and objets de fantaisie, marked by his elegant taste, subtle enamel work, and technical perfection. He collaborated closely with miniature painters, lapidaries, and enamellers, setting a standard that defined Fabergé’s golden era.
Perchin’s career was tragically short—he died in 1903 at the age of forty-three—but his artistic legacy shaped Fabergé’s aesthetic identity. After his death, his pupil and close friend Henrik Wigström (1862–1923) took over his workshop, continuing its exceptional output for the Imperial Court.
Comparable Works:
A closely related Fabergé desk clock by Mikhail Perchin, in pale blue guilloché enamel with laurel swags, was sold at Christie’s, The Private Collection of Joan Rivers, New York, 22 October 2016, lot 45.Starting price: 40000€
Estimate: 45000-65000€
Hammer Price: 32500€