Lot 0049
Fabergé. Match Holder for the 300th Jubilee of the House of Romanov, Moscow, circa 1913
Estimate: 7000-9000€
Rare Faberge match holder in the honour 300 years jubilee of House of Romanov (1613–1913).
Moscow, Feodor Rückert workshop; retailed by Carl Fabergé, circa 1913.
Silver; cloisonné enamel; gilding; chased and engraved details. Weight: 82 g. Dimensions: 4,6 x 6 x 2 cm.
Marks: in a rectangular stamp C. Fabergé, under the punch of FR; Moscow assay mark (1908-1917).
A compact silver match holder conceived as a small-scale monument to Imperial Moscow. One side bears a panoramic enamel view of the Kremlin: The reverse is dominated by a double-headed eagle in the Neo-Russian manner, executed in relief and graphic line over a milky white enamel ground. The imperial emblem is enriched with stylised crowns and shield, while the surrounding field is filled with Pan-Slavic ornamental vocabulary: scrolling tendrils, geometric rosettes, and golden accents arranged like a ceremonial textile.
Feodor Rückert (1840–1918) (Feodor Ivanovich Rückert; born Friedrich Moritz Rückert in Alsace) was a leading Moscow silversmith and enameller, closely associated with the Neo-Russian style. Having arrived in Russia as a teenager, he established his own workshop in Moscow in 1886 (Vorontsovskaya St., 29). From 1887 he maintained a long collaboration with Carl Fabergé and, though not formally on the firm’s staff, became one of its principal suppliers of cloisonné enamelwork for more than three decades.
Rückert’s maker’s mark “Ф.Р.” appears on works retailed by Fabergé and other major firms. His studio, known for technical refinement in cloisonné and miniature painted enamels, produced a wide range of silver objects, often combining folkloric and historical motifs with a modern decorative sensibility. During World War I he was persecuted as an “enemy alien”; his workshop declined and was largely lost. Rückert died in Moscow in 1918. His enamels are represented today in major museum and royal collections worldwide.
Comparable item:
https://www.christies.com/en/lot/lot-5016902
Starting price: 6000€
Estimate: 7000-9000€
Hammer Price: €
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Lot 0051
Russian Commemorative Cast Silver Tableware Stands in the Form of a Rifles
Estimate: 2000-2500€
Lot 0051
Russian Commemorative Cast Silver Tableware Stands in the Form of a Rifles
Estimate: 2000-2500€A Russian cast silver set of tableware stands in the form of rifles, presented as a shooting prize from the 85th Imperial Vyborg Infantry Regiment. Maker’s mark of V. Gordon firm, St. Petersburg, 1899–1904.
Dimensions: Length 10.6 cm
Total weight: 392 gVladimir Gordon was a well-known St. Petersburg jeweler whose shop on the Zerkalnaya Line of Gostiny Dvor was widely recognized at the turn of the 20th century. His firm was admired for the richness and variety of its production and enjoyed a solid reputation among the city’s clientele.
Starting price: 1500€
Estimate: 2000-2500€
Hammer Price: € -
Lot 0050
Fabergé. Silver Ashtray Commemorating the War of 1914, Moscow, 1914
Estimate: 10000-12000€
Lot 0050
Fabergé. Silver Ashtray Commemorating the War of 1914, Moscow, 1914
Estimate: 10000-12000€A Rare Russian Silver Ashtray Commemorating the War of 1914.
Moscow, firm of Karl Fabergé, 1914.
Silver; repoussé, chasing, engraving.
Dimensions: 3.2 x 11 x 11 cm. Weight: 145.7 g.
Marks: Fabergé firm mark and Imperial court supplier warrant; Moscow assay mark; 88 zolotniki silver standard.
The circular silver ashtray is of shallow bowl form. The centre is decorated in relief with the Russian Imperial double-headed eagle, crowned and displayed with outstretched wings, holding the sceptre and orb. Around the emblem is the commemorative inscription in Cyrillic: «ВОЙНА 1914 г.»
This rare object belongs to the distinctive group of wartime production made by the firm of Karl Fabergé during the First World War. With the outbreak of hostilities in 1914 and the decline in demand for luxury jewellery, Fabergé redirected part of its production toward practical and commemorative objects connected with the army and the front. These included field utensils, mugs, samovars, washstands, cigarette cases, cup-holders and presentation ashtrays.
Objects of this type were often made in copper or more modest metals, bearing the Imperial arms and inscriptions such as “War 1914” or “War 1914-1915.” Silver examples are considerably rarer. Despite their utilitarian function and wartime context, they retain the refinement, clarity of design and technical precision characteristic of Fabergé production.
Such pieces were sometimes presented to soldiers and officers of the active army, including during visits of Emperor Nicholas II to the theatre of war.Starting price: 8000€
Estimate: 10000-12000€
Hammer Price: € -
Lot 0048
Russian Silver and Niello Snuff Box with View of Vologda, Sakerdon Skripitsyn, 1838
Estimate: 7000-9000€
Lot 0048
Russian Silver and Niello Snuff Box with View of Vologda, Sakerdon Skripitsyn, 1838
Estimate: 7000-9000€A rare Russian silver and niello snuff-box with city view of Vologda. Vologda, master Sakerdon Skripitsyn, 1838
Silver, engraving, blackening
Dimensions: 4.0 × 9.3 × 2.7 cm; weight: 131 g
Marks: “СС”, 84 zolotnik silver standard, assay mark of Vologda
The snuff box features an intricate engraving with neillo coated details. The lid displays a historical table titled “Vѣдомость о наличномъ числѣ душъ губерніи” (List of the Current Population of the Province). The sides and bottom are decorated with a panoramic view of the embankment of Vologda city and its river, finely etched with topographical accuracy.
A remarkable example of Vologda silver craftsmanship from the first half of the 19th century, this snuff box made by the honorable silversmith Sakerdon Skripitsyn. The work is an exquisite instance of deep engraving, a popular technique of the era, filled with niello details. The lid’s engraved table is a unique historical document, reflecting the administrative interest in statistics and state accounting during the Emperor Nicholas I era. The fine engraving captures the architectural landscape of Vologda in the 1830s, adding historical value to the piece.
Sakerdon Ivanovich Skripitsyn was a talented master of both silver and niello work from Vologda. His artistry was not limited to engraving; he also created gilded silver frames and decorative items in the neoclassical style. His works often borrowed themes from foreign engravings. For example, his silver plates from 1840, depicting views of Zurich, Lausanne, and Lake Brienz, are in the State Hermitage collection.
Skripitsyn’s finest works, such as the 1841 glass with a beautifully composed niello engraving, demonstrate his mastery as both an engraver and a sensitive artist. His pieces are highly valued in the antique market, with examples fetching high prices at international auctions.
This snuff box represents an exceptional work from Skripitsyn’s limited known output and is rare in the antique market.
Comparable item: https://www.sothebys.com/en/auctions/ecatalogue/2011/russian-works-of-art-faberg-and-icons-l11113/lot.455.htmlStarting price: 6000€
Estimate: 7000-9000€
Hammer Price: € -
Lot 0047
Russian Silver-Gilt Nécessaire, St Petersburg, 1908–1917, Ivan Brytzin
Estimate: 4000-5000€
Lot 0047
Russian Silver-Gilt Nécessaire, St Petersburg, 1908–1917, Ivan Brytzin
Estimate: 4000-5000€A Russian silver-gilt nécesaire. St Petersburg, 1908–1917.
Silver, gilding; guilloché translucent enamel; chasing and engraving. Weight: 118 g, Dimensions: 1,5 x 4,9 x 10,2 cm.
Marks: maker’s of Ivan Brytzin; St Petersburg assay marks (1908–1917). A rectangular, palm-sized nécesaire with two compartments. One face is covered with a pale, white opal toned translucent enamel laid over a finely turned wavy guilloché ground.
The reverse is treated in deliberate contrast: a silver-gilt field worked in the so-called “samorodok” manner. Ivan Savelyevich Brytzin (1870–1952), a former employee of Fabergé in St Petersburg, qualified as a master goldsmith in 1903 and soon opened his own workshop “Russkaya Emal” (Malaya Konyushennaya ul., 12). His firm granted a gold medal at the St Petersburg Crafts Exhibition in 1909, and in 1910–1917 he supplied works to members of the Imperial family and to the Cabinet of His Majesty. Brytzin’s objects bears steady demand on the English market; he also worked with stone and purpurin and collaborated with A. Sumin. After 1917 he continued to practise, though documentation of his later activity is fragmentary.Starting price: 3500€
Estimate: 4000-5000€
Hammer Price: €