Lot 0021
Evgeny Lanceray. Kasli Cast-Iron Sculpture “Farewell of a Cossack to a Cossack Woman”
Estimate: 700-800€
Farewell of a Cossack and a Cossack Woman
Ural, Kasli Iron Foundry, after a model by Evgeny Lanceray (1848–1886)
Cast iron, casting, painting
Dated 1901 (Tsarist period)
Height: 21.5 cm; base length: 18 cm
This sculptural composition depicts a poignant farewell scene: a Cossack, seated on horseback with a rifle in a case slung over his back, embraces his wife who rises toward his stirrup. The subject reflects the traditional role of the Cossacks, a privileged military estate in the Russian Empire from the 18th to early 20th centuries, who served as a stronghold of autocracy and were often mobilized in wartime.
The model was created by Evgeny Alexandrovich Lanceray in 1878, inspired by his impressions of the Don Cossack Host. The Kasli Iron Foundry, one of Russia’s most renowned centers of artistic iron casting, reproduced this piece in the early 20th century, as evidenced by the factory marks preserved on the underside and base.
Evgeny Alexandrovich Lanceray (1848–1886)
A Russian sculptor and animalier, Lanceray was an honorary member of the Imperial Academy of Arts and a master of small-scale narrative sculpture. His works, often centered on historical, ethnographic, folkloric, and everyday themes, brought international recognition to Russian sculpture. He participated in numerous World’s Fairs and created not only bronze figures and groups but also decorative and applied art objects. His compositions were cast at all the leading foundries of his time, including Chopin, Shtange, Moran, Berto, and the Ural iron foundries.
Starting price: 500€
Estimate: 700-800€
Hammer Price: UNSOLD€
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Lot 0022
Alfred Caravanniez. French Patinated Bronze Sculpture “Bayard”
Estimate: 5000-6000€
Lot 0022
Alfred Caravanniez. French Patinated Bronze Sculpture “Bayard”
Estimate: 5000-6000€Alfred Caravanniez (1855–1917)
“Bayard”
France, late 19th century
Patinated bronze, cast by Barbedienne Foundry
Signed and stamped.
Height: 42 cmThis finely cast bronze depicts Pierre Terrail, seigneur de Bayard (1473–1524) — the legendary French knight celebrated as “le chevalier sans peur et sans reproche” (“the knight without fear and beyond reproach”). The sculpture presents Bayard in full Renaissance armor, standing proudly with folded arms and sword at his side, embodying ideals of honor, loyalty, and martial virtue.
Created by Alfred Caravanniez, a French sculptor trained under Aimé Millet at the École des Arts Décoratifs in Paris, the work exemplifies the historical realism and patriotic romanticism characteristic of late 19th-century French bronze statuary. Cast by the renowned Barbedienne Foundry, it reflects the superior quality and finish that made the firm one of the most respected bronze ateliers of its time.
Caravanniez’s public works include monuments and statues in Saint-Malo, Nantes, Cholet, and Sainte-Anne-d’Auray, most notably the monumental statue of corsair Robert Surcouf (1903) in Saint-Malo, also executed in bronze by Barbedienne.
Starting price: 4000€
Estimate: 5000-6000€
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Lot 0019
Russian Wood Composition “Cossack on a Horse”
Estimate: 500-600€
Lot 0019
Russian Wood Composition “Cossack on a Horse”
Estimate: 500-600€Cossack on Horseback
Russia (Danzig [Gdańsk], then part of the Russian Empire), late 19th century
Wood, metal
Dimensions: 21.5 × 16 × 7 cm
Inscribed: “А. Ханыковъ. Данцигъ”A finely carved wooden composition depicting a Cossack horseman, holding a lance and seated on a spirited mount. The sculpture bears a dedication to Alexander Vladimirovich Khanykov (1825–1853) — a noted Russian revolutionary and member of the Petrashevsky Circle, an intellectual and reformist movement in mid-19th century St. Petersburg.
Khanykov, a volunteer student at the St. Petersburg University, was an active participant in the philosophical and political circles of Mikhail Petrashevsky and Nikolai Kashkin. A passionate advocate of Charles Fourier’s socialist ideas, Khanykov delivered a public speech in memory of Fourier on April 7, 1849. That same year, he was arrested in connection with the Petrashevsky case, sentenced to death (later commuted to exile as a private in the Orenburg line battalions).
In exile, Khanykov initiated a secret Russo–Polish–Ukrainian circle, which likely included the poet Taras Shevchenko, also serving in Orenburg. Members of the group held political discussions, wrote satirical pamphlets against the imperial government, and circulated banned literature on economics, geography, and history. Khanykov also compiled a clandestine manuscript on world history praising popular sovereignty and the ideals of the French Revolution of 1789 and 1848, expressing sympathy for Christian socialism.
This wooden sculpture — created in Danzig (now Gdańsk) — appears to be a commemorative or symbolic representation of Khanykov’s revolutionary courage and his association with the frontier and Cossack imagery.
Starting price: 400€
Estimate: 500-600€
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Lot 0020
Émile Picault. Bronze Sculpture “The Fencer”
Estimate: 2000-2500€
Lot 0020
Émile Picault. Bronze Sculpture “The Fencer”
Estimate: 2000-2500€Émile Louis Picault (1833–1915)
The Fencer (Le Tireur)
France, late 19th century
Patinated bronze, signed “E. Picault”
Height: 72 cmAn exceptional bronze sculpture by Émile Louis Picault, one of France’s most prolific and celebrated 19th-century sculptors. The Fencer (Le Tireur) depicts a duelist captured in a moment of poised triumph, raising his sword aloft in salute or victory. The figure’s dynamic anatomy, tense musculature, and richly modeled costume reflect Picault’s masterful balance between Neoclassical idealism and the Romantic fascination with heroism and individuality.
The bronze is finished in a deep brown patina with superb surface detailing. Foundry marks confirm its 19th-century origin. This composition belongs to Picault’s series of martial and allegorical works, which celebrate discipline, courage, and the dignity of human effort — recurring themes throughout his oeuvre.
Émile Louis Picault studied under Louis Royer and exhibited regularly at the Paris Salon from 1863 to 1909. His works, numbering over five hundred models, are represented in museum collections including Chambéry, Clermont-Ferrand, Maubeuge, and Troyes.
Starting price: 1500€
Estimate: 2000-2500€
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Lot 0023
Paul Dubois. Bronze Sculpture “Le courage militaire”
Estimate: 2500-3000€
Lot 0023
Paul Dubois. Bronze Sculpture “Le courage militaire”
Estimate: 2500-3000€Paul Dubois (1829–1905)
“Le Courage Militaire” (Military Courage)
France, circa 1880
Patinated bronze, signed “F. Barbedienne, Fondeur”
Height: 38 cmThis exceptional bronze, cast by the renowned Barbedienne Foundry, represents “Le Courage Militaire” (Military Courage) — one of the four allegorical figures created by Paul Dubois for the cenotaph of General Juchault de La Moricière in the Cathedral of Nantes.
Depicted as a seated Roman warrior, the figure embodies noble restraint and strength through a masterful synthesis of naturalism and classical idealization. The serene dignity of the soldier’s pose and the finely rendered drapery are hallmarks of Dubois’s distinctive “Neo-Florentine” style, blending Renaissance influence with French academic sculpture of the 19th century.
Paul Dubois, both a sculptor and painter, studied in Rome and gained prominence with his Saint John the Baptist (1861), exhibited at the Paris Salon. His refined, spiritual approach to allegorical subjects earned him widespread acclaim, including médaille d’honneur at the Salon des Beaux-Arts in 1865 and 1876.
Dubois’s works — including Military Courage, Faith, Charity, and Meditation — are represented in leading French institutions such as the Musée d’Orsay and the Musée Camille Claudel in Nogent-sur-Seine
Starting price: 2000€
Estimate: 2500-3000€
Hammer Price: UNSOLD€