Lot 0177
Russian Icon of Christ Pantokrator
Estimate: 6000-8000€
Icon of Christ Pantokrator. Silver, gilding, cloisonné enamel, oil painting on wood.
Maker mark of «EAK». Moscow, 1898-1908.
Dimensions: 13.5 x 9 x 2.3 cm.
Total weight: 222.2 g
Icon of Christ Pantokrator in a silver-gilt oklad decorated with cloisonné enamel. The central panel depicts Christ painted in oil on wood: His right hand raised in blessing, His left holding an open Gospel with the inscription “I am the Light of the World.” The enamel cover is richly ornamented with an arch of floral motifs and a border of geometric patterns in red and blue, enhancing the solemnity of the image.
The hallmark [EAK] refers to Emelyan Alekseevich Kuznetsov, owner of a silver workshop founded in 1886. According to records from 1897, the workshop produced silver icon covers valued at 5,000 rubles. At that time, it employed 13 men, 6 adolescents, and 6 boys (silver, chased icon oklad, State Historical Museum). In 1898, the workshop is listed at Pereyaslavskaya Street, in Kuznetsov’s own house, Moscow.
Starting price: 5000€
Estimate: 6000-8000€
Hammer Price: UNSOLD€
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Estimate: 10000-15000€Ovchinnikov. Icon of Saint Martyr Panteleimon.
Silver, gold, filigree, gliding, cloisonné enamel, oil painting on wood.
Makers mark of «P. Ovchinnikov» with Imperial warrant. Moscow, 1896.Dimensions: 10.3 x 9 x 2.2 cm.
Total weight: 290.2 g
Icon of Saint Panteleimon in a silver-gilt oklad by the Ovchinnikov firm. The central is painted in oil on wood; the saint’s nimbus and garments are overlaid and made with 24k gold. The cover is decorated with cloisonné enamel in blue, white, and red, arranged in geometric and floral patterns referring to traditional Russian wooden architecture.
Saint Panteleimon, patron of physicians, was a popular subject in 19th-century Russia. The Ovchinnikov workshop, Imperial Court supplier, was renowned for enamel and silverwork of the highest quality, celebrated at international exhibitions.
See similar:
https://www.sothebys.com/en/auctions/ecatalogue/2011/russian-works-of-art-faberg-and-icons-l11113/lot.634.html
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Estimate: 3000-3500€Icon “The Mother of God of Korsun”
Vladimir, 1857
Icon: wood, tempera, gold leaf
Riza: silver 84, chasing, engraving, gilding, niello, enamel, colored stones or glass
Master: F. Che
Dimensions: 33 × 27.5 × 5 cm
Riza weight: 558.5 gAn baroque-style 19th-century Russian icon of The Mother of God of Korsun, covered with a finely worked silver riza richly decorated with chasing, gilded details, and inset colored stones. The engraved inscription identifies the icon as “Korsun Mother of God, 1857.”
According to ancient tradition, the original Korsun icon was painted by St. Luke the Evangelist and brought from Ephesus to Kiev by Prince Vladimir after his baptism in 988. The image later resided in Novgorod and then in Moscow’s Dormition Cathedral, where it became one of Russia’s most revered relics.
Another legend connects the icon with St. Euphrosyne of Polotsk, who received it as a gift from the Byzantine Emperor and Patriarch in the 12th century. It was later brought to Toropets by Princess Paraskeva, wife of St. Alexander Nevsky, and became famous for its miracles and protection of the city.
Icons of the Korsun type belong to the “Tenderness” (Umilenie) family, symbolizing the deep spiritual and human bond between the Virgin and the Christ Child.
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Estimate: 1500-2000€Icon of Saint Prince Alexander Nevsky in Silver Riza
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Maker’s mark: BC
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Lot 0175
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Rare Russian “Romanov School” Icon of the Mother of God “Feodorovskaya” with Guardian Angel and Saint Andrew Stratelates
Estimate: 8000-12000€Icon of the Mother of God “Feodorovskaya” with Guardian Angel and Saint Andrew Stratelates
Dimensions: 31.7 x 26.6 x 3 cm.
Romanov-Borisoglebsk region, circa 1800
Tempera on wood, gold leaf
This finely executed Old Believer icon represents the revered image of the Feodorovskaya Mother of God, accompanied by the Guardian Angel and Saint Andrew Stratelates on the borders. Painted in the Romanov-Borisoglebsk region around 1800, it exemplifies the artistic tradition known as the “Romanov school” — a late revival of 17th-century Yaroslavl and Kostroma iconography by Old Believer masters.
The Romanov-Borisoglebsk icon painters preserved ancient techniques and aesthetics at a time when Westernized academic art dominated the Russian Empire. Their works are noted for:Precise geometric construction of forms and halos
Fine engraving on gold backgrounds (“chornenie po zolotu”)
Jewel-like color palette with delicate highlights and transparent lacquers
Exquisite miniature detailing and balanced, rhythmic composition
The Romanov-Borisoglebsk workshops, active from the late 18th to the early 19th century, produced icons of exceptional refinement for discerning Old Believer patrons. Leading families such as the Arkhipovskys, Agapovs, and Kalashnikovs maintained continuity of the Stroganov and Armory Chamber traditions, creating works that combined spiritual depth with decorative sophistication.
This icon is a characteristic example of the “Romanov letters” style — a rare provincial phenomenon that achieved a harmonious blend of old canonical spirituality and artistic elegance
Starting price: 6000€
Estimate: 8000-12000€
Hammer Price: UNSOLD€