Lot 0228
Rare 19th Century Caucasian (Georgian) Kindjal – Russian Dagger
Estimate: 3500-4000€
A Rare 19th Century Caucasian (Georgian) Kindjal – Russian Dagger
A fine 19th-century Caucasian kindjal originating from Georgia.
The dagger features silver mounts richly decorated with niello and engraved floral motifs, complemented by chiseled filigree rosettes of exceptional quality and delicacy.
The double-edged blade bears traces of an inscription in Cyrillic, suggesting possible Russian association or ownership.
Dimensions:
Total length: 43.5 cm
Blade length: 27.7 cm
Blade width: 3.7 cm
Starting price: 2500€
Estimate: 3500-4000€
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Height: 65 cmThis striking bronze sculpture, L’Armurier (“The Gunsmith”), is a masterful example of Adrien Gaudez’s ability to infuse technical realism with expressive vitality. The figure of a craftsman at work embodies both physical strength and concentration, capturing the dignity of manual labor and the artistry of creation.
A graduate of the École des Beaux-Arts in Paris, Gaudez debuted at the Paris Salon in 1864 and continued to exhibit there throughout his career. Initially influenced by classical traditions, he later incorporated the fluid lines and naturalistic movement characteristic of late 19th-century French sculpture.
Following his imprisonment during the Franco-Prussian War (1870–1871), Gaudez produced several commemorative works, including a monument to fallen French soldiers (1892). His oeuvre encompasses portraits, allegorical figures, and monuments distinguished by meticulous modeling and emotional depth.
L’Armurier reflects Gaudez’s fascination with the nobility of craftsmanship — a recurring theme in his work — and stands as a testament to the transition from academic classicism to the more dynamic and expressive forms of the Belle Époque.
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Estimate: 10000-12000€Evgeny Lanceray. Peasant Woman with Cattle and Dog
Model 1873
Bronze, casting, assembly, patination
27.5 × 26 × 23.5 cm
Petersburg, late 19th – early 20th century
Signature along the base: “E. Lanceray”, cast by C. BertoThis rare bronze group, created by Evgeny Lanceray in 1873, portrays a peasant woman guiding cattle, accompanied by a dog. It combines lively movement with careful attention to costume and detail, reflecting Lanceray’s interest in everyday Russian life and ethnographic themes.
Evgeny Alexandrovich Lanceray (1848–1886)
Born in Morshansk, Tambov province, into a French family that had settled in Russia, Lanceray was the son of a railway engineer. He studied law at St. Petersburg University but received no formal artistic training, instead learning sculpture independently and working from life. He visited workshops of established sculptors, including Nikolai Liberich, and undertook study trips to Paris in 1867 and 1876, where he studied bronze casting and became acquainted with European art.Lanceray traveled widely across Russia, Ukraine, the Caucasus, the Crimea, Bashkiria, and Kyrgyz lands, and in 1883 visited Algeria. His wax models, later cast in bronze, gained great popularity. Many of his works carried strong national, historical, or ethnographic character, and he also created pieces devoted to the Russo-Turkish War of 1877–1878. In addition, he designed table services and desk sets.
In 1869 he was awarded the title of “Class Artist, 2nd degree” by the Imperial Academy of Arts, and in 1872 achieved the 1st degree. In 1874 he became an honorary free associate of the Academy, and from 1879 he was a member of the Moscow Society of Art Lovers.
A master of narrative plastic miniatures, Lanceray brought international recognition to Russian sculpture. His works were shown at the World’s Fairs in London (1872), Vienna (1873), Paris (1873), Antwerp (1885), and other cities. His bronzes were cast at all major Russian foundries and by private firms such as Chopin, Stange, Moran, and Berto, as well as at Ural ironworks. Today his works are preserved in the State Russian Museum, the Tretyakov Gallery, and other major collections. Karl Berto (Charles Auguste Bertault) Foundry. Studied under Barbedienne, Paris.
Period: 1889 – 1903.
In 1889 – 1890 the products were marked as Chopin & Berto.
Felix Chopin’s foundry has been passed over to Karl Berto in around 1890.
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Estimate: 2000-2500€Émile Louis Picault (1833–1915)
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France, late 19th century
Patinated bronze, signed “E. Picault”
Height: 72 cmAn exceptional bronze sculpture by Émile Louis Picault, one of France’s most prolific and celebrated 19th-century sculptors. The Fencer (Le Tireur) depicts a duelist captured in a moment of poised triumph, raising his sword aloft in salute or victory. The figure’s dynamic anatomy, tense musculature, and richly modeled costume reflect Picault’s masterful balance between Neoclassical idealism and the Romantic fascination with heroism and individuality.
The bronze is finished in a deep brown patina with superb surface detailing. Foundry marks confirm its 19th-century origin. This composition belongs to Picault’s series of martial and allegorical works, which celebrate discipline, courage, and the dignity of human effort — recurring themes throughout his oeuvre.
Émile Louis Picault studied under Louis Royer and exhibited regularly at the Paris Salon from 1863 to 1909. His works, numbering over five hundred models, are represented in museum collections including Chambéry, Clermont-Ferrand, Maubeuge, and Troyes.
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Lot 0022
Alfred Caravanniez. French Patinated Bronze Sculpture “Bayard”
Estimate: 5000-6000€
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Alfred Caravanniez. French Patinated Bronze Sculpture “Bayard”
Estimate: 5000-6000€Alfred Caravanniez (1855–1917)
“Bayard”
France, late 19th century
Patinated bronze, cast by Barbedienne Foundry
Signed and stamped.
Height: 42 cmThis finely cast bronze depicts Pierre Terrail, seigneur de Bayard (1473–1524) — the legendary French knight celebrated as “le chevalier sans peur et sans reproche” (“the knight without fear and beyond reproach”). The sculpture presents Bayard in full Renaissance armor, standing proudly with folded arms and sword at his side, embodying ideals of honor, loyalty, and martial virtue.
Created by Alfred Caravanniez, a French sculptor trained under Aimé Millet at the École des Arts Décoratifs in Paris, the work exemplifies the historical realism and patriotic romanticism characteristic of late 19th-century French bronze statuary. Cast by the renowned Barbedienne Foundry, it reflects the superior quality and finish that made the firm one of the most respected bronze ateliers of its time.
Caravanniez’s public works include monuments and statues in Saint-Malo, Nantes, Cholet, and Sainte-Anne-d’Auray, most notably the monumental statue of corsair Robert Surcouf (1903) in Saint-Malo, also executed in bronze by Barbedienne.
Starting price: 4000€
Estimate: 5000-6000€